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The Feng Shui Hypothesis
Some history, and some cultural history. Previous to the recent installation of the Presidential Window Blind, the Presidential Office Window offered an unobstructed floor-to-ceiling view into the modest but well appointed (No
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As readers probably are aware, Feng Shui is the ancient Chinese practice of placement and arrangement of physical space to invite the achievement of spiritual harmony with the environment. The presidential window, in its previously--and alarmingly--unharmonized condition, allowed all the energy created in that sacred and powerful space to leak out. Instead of fostering force and vigor, the gaping portal became a negative element, sort of like when you go to a party in your tux, hair nicely groomed, tie on straight but some wiseass points out that your fly is open.
In addition, the window’s openness, its physical and metaphysical vulnerability, allowed the potential for passersby and onlookers to transmit potentially negative energies to the office’s occupant.
With installation of the Presidential Window Blind, the college president has both remedied his precarious position, trapping the accumulated psychic energy he creates, while shielding himself and also deflecting the transmission of random or negative cosmic elements emanating from passerby and onlookers.
The Chinese have a phrase for this which, translated loosely, amounts to “Fuck off.”
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The Asian Shadow Puppet Theater Speculation
As an undergraduate with sporadic interest in the dramatic arts, Rebel Girl once studied Asian Theater and was particularly interested in the tradition of shadow puppetry. So, the day when she first saw the Presidential Window Blind while schlepping out to the faculty lot with her usual collection of student papers, baskets, and bags, she was struck by its dramatic possibilities. Could the President, she wondered, also be a fan of shadow puppets? Was this an attempt on his part to invigorate the cultural life on campus?
Life imitates art, or is it the other way around? (Rebel Girl missed a lot of classes in college.)
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Traditionally used to depict epics, the puppets could easily be adapted to other narrative styles or meeting minutes. Take Santander, for instance. Trustee Fuentes’ Spanish Adventure. Please. Rebel Girl imagines the college president might be inspired to offer a revue of sorts, a variety show, the greatest hits of the SOCCCD.
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Or perhaps the Presidential Window Blind is the college president’s attempt to approximate Plato’s “Allegory of the Cave.” This is, admittedly, a variation on the Shadow Puppet Theory.
Those of you who sat in the front row of your undergraduate philosophy class will remember that in the allegory, Plato likens people to prisoners chained in a cave, unable to turn their heads. All they can see is the wall of the cave. Behind them burns a fire. Between the fire and the prisoners there is a parapet, along which puppeteers can walk. The puppeteers, who are behind the prisoners, hold up puppets that cast shadows on the wall of the cave. The prisoners are unable to see these puppets, the real objects, that pass behind them. What the prisoners see and hear are shadows and echoes cast by objects that they do not see.
Such prisoners might mistake appearance for reality. They would think the things they see on the wall (the shadows) were real; they would know nothing of the real causes of the shadows.
The college president is reportedly a fan of both Plato and the Matrix movie series. Haven’t you seen the pin-up of Keanu Reeves that the Presidential Window Blind now obscures?
However, the college president’s purpose in creating this homage is not easily ascertained. Does he want to lead people out of the cave into the light? Or does he wish to remind us of our own state of imprisonment? Or...?
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The arrival of the Presidential Window Blind coincides with the obvious decay of the Clock Tower. Perhaps our secretly sentimental leader can no longer bear to cast his eyes daily on the rotting clock tower, an IVC icon perhaps more beloved than he, and thus devised the window blind as a way to obscure the splintering tower and its garland of yellow police caution tape. Out of sight, out of mind.
The IKEA Premise
Self-explanatory.
3 comments:
Rebel Girl, you are wickedly funny. It's a side of you that I don't really pay attention to. I should! I never thought I would see Plato and the Matrix mentioned in the same sentence. But it stands to reason.
Here here! and There there!
How come we hear from the Reb so rarely?
What gives? WE WANT MORE AND WE WANT IT NOW
Thanks, green Whale, for your comments. I must admit I am funny at times, but my co-conspirator, in-house editor and comrade these past 20+ years is even funnier - so much of teh over-the-top stuff credit goes to him. I start out funny - he ends of hysterical.
But Plato and the Matrix, baby, is all mine. And the concept, of course.
Why doesn't reb write more?
Don't get her started - a rant about that very subject soon.
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