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They had spent the evening at UCLA's Royce Hall, named after Josiah Royce, that California philosopher idealist. Rebel Girl invariably teaches him every semester. She wondered if she could remember Royce's words chiseled in pale rosy stone which spanned the stage.
She could:
Then, Joan Baez came on that stage and for the next two hours sang selections from her nearly fifty year career, opening up with "The Lily of the West" and closing with "Gracias a la Vida," and in between was just about everything else, new and old, or so it seemed.
Rebel Girl has noticed that she weeps more easily these days. It started, she believes, when the little guy was born.
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The friend they followed had worked closely with Baez back in the day and could tell stories about Bob Dylan's appetites.
Rebel Girl and Red met this friend when they were political organizers and now had known each other, they reckoned, for about 21 years. The friend seemed concerned and a bit confused that she had not, during all those years, introduced them to Baez before. They reassured her that it was okay.
They wore blue wristbands which they showed from time to time to the people who cared about them and shuffled through a series of rooms and hallways, pausing, moving, waiting.
Then, there was Joan Baez. A barefoot, elegant beauty who looked a bit weary but was gracious all the same.
Rebel Girl shook her hand and managed to stammer out a "thank you" and that was about it. It was enough. She watched Baez greet the small group, laugh, share a few stories. It was more than enough.
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Gracias a la vida indeed.