Sometimes, I feel as though I’m in a whirlwind. Don’t know what’s up, what’s down. Feeling a lot like that lately. Sheesh.
Before he became, well, uninspired, Ray Davies of the British band The Kinks wrote great songs. Among my favorites: “This Time Tomorrow,” which is about the road and feelings of confusion, isolation, and whirlwindery:
This time tomorrow, where will we be?
On a spaceship somewhere, sailing across an empty sea?
This time tomorrow, what will we know?
Will we still be here watching an in-flight movie show?
I’ll leave the sun behind me and
watch the clouds as they sadly pass me by
Seven miles below me
I can see the world and it ain’t so big at all
This time tomorrow, what will we see?
Fields full of houses, endless rows of crowded streets?
I don’t know where I’m going, I don’t want to see
I feel the world below me, looking up at me
Leave the sun behind me, and
watch the clouds as they sadly pass me by
And I’m in perpetual motion and
the world below doesn’t matter much to me
This time tomorrow, where will we be?
On a spaceship somewhere, sailing across an empty sea?
This time tomorrow, this time tomorrow….
Those are great lyrics, man. And don’t you love brother Dave’s harmonies? Dang!
Dave Davies was the band’s guitarist. He’s sometimes credited with inventing “heavy metal,” thanks to the tone he achieved—he cut his amplifier speaker with a razor blade—on 1964’s “You Really Got Me,” another classic, and other hard-rocking hits from '64-'65. (That song's "feel," though not its guitar sound, derived from the Kingsmen's "Louie Louie." Compare the guitar solos!)
I think Dave was a better singer than Ray, too. Check out Dave's "Death of a Clown" (Dave)
The two have never gotten along. They’ve split many times. And they've reuinited as often. (They seem terribly attached to their sister--several of their songs are about her.)
Ray and Dave and the other band members were pretty rowdy in the early days--often got into drunken fights on stage. In 1965, the Kinks had so offended the authorities in the U.S. that they were banned from touring here for several years.
That’s too bad. They made their best music during their “exile” (1965-1969). It was also the period in which they sold fewer and fewer records. By 1970, it looked like the end for the band, despite endless critical praise for their influential albums.
The album that includes “This Time Tomorrow”—Lola versus Powerman and the Money-go-round, Part One (1970)—changed all that. It had hits, including “Apeman”—and at least one enduring masterpiece, the great “Lola.”
The guy "singing" here was actually the drummer for the recording. His mom owned the rights to the "Kingsmen," and so he just took over vocals, causing the actual singer, Jack Ely, to quit
Evidently, Ray, taking his father's advice, very deliberately crafted Lola to be a hit. (It was not the kind of song he liked to write.) He needed a hit to save the band. Well, Lola was huge.(Reminds me of a story about the Turtles, a great American band once produced by Ray. The label was frustrated that the band hadn't had a hit to equal "Happy Together." So the band's singer, Howard Kaylan, went to his hotel room and wrote what he took to be a mocking regurgitation of "Happy Together," namely, the hilarious and unique "Elenore." He thought it was crap. Elenore, of course, became a big hit. The thing is, it was a better song than "Happy Together"!)
"Lola" seemed to be the last gasp of greatness for the band. (Some identify their next album—Muswell Hillbillies—as the last of the great Kinks albums. Maybe.)
So, if you don’t know about the Kinks, check out their stuff up through about 1972. There’s some great music there. (Live early performance of "A Well Respected Man"; Last of the Steam-Powered Trains (1969); Waterloo Sunset; 1972 TV special; Victoria!; Dead End Street (Original Video); Berkley Mews.))
1966 ~ Face to Face
1967 ~ Something Else
1968 ~ The Village Green Preservation Society
1969 ~ Arthur
1970 ~ Lola
1971 ~ Muswell Hillbillies
Once again, brother Dave's harmonies are perfect.
Listen to the original recording with Dave on vocals. (It was written by Ray for the Animals, but they turned it down! Would have been perfect for 'em.)