Friday, December 31, 2021

1966: nearly forgotten, disquieting, vatic gems!

1966: Arthur Lee's LOVE, "My Little Red Book"



I just got out my little red book 
The minute that you said goodbye 
I thumbed right through my little red book 
I wasn't gonna sit and cry

1966: The Seeds, "Can't Seem to Make You Mine"


"...the glorious primitivism and narrower focus of their debut [album] ultimately works to their advantage; there are few albums of the era that mirror the delicious arrogance of a beer-sodden teenage misfit with the effortless simplicity of the Seeds, and it's justly celebrated as a classic of first-wave garage punk."


1966: The Standells, "Dirty Water"


"The Los Angeles band was actually hardly typical of the young suburban outfits across America who took their raw garage sound onto obscure singles recorded in small studios. They'd been playing L.A. clubs since the early '60s, with a repertoire that mostly consisted of covers of pre-Beatles rock hits. Drummer (and eventual lead singer) Dick Dodd had been a Mouseketeer on television, organist Larry Tamblyn was the brother of noted film actor Russ Tamblyn, and Tony Valentino was a recent immigrant from Italy."


Yeah, down by the river 
Down by the banks of the river Charles 
Aw, that's what's happenin', baby 
That's where you'll find me 
Along with lovers, muggers, and thieves 
Aw, but they're cool, too

1966: Syndicate of Sound, "Little Girl"



"...Syndicate of Sound singer Don Baskin and bassist Bob Gonzalez ultimately took that inspiration and penned a unique number incorporating sonic elements of Britpop and folk-rock with a dark, brooding, and dyspeptic lyrical sentiment, delivered with an almost discomforting level of sanguine indifference."

1966: 13th Floor Elevators, "You're Gonna Miss Me"


"The 13th Floor Elevators [of Austin, Texas] were trailblazers in the psychedelic rock scene, and in time they'd pay a heavy price for exploring the outer edges of musical and psychological possibility, but along the way they left behind a few fine albums, and The Psychedelic Sounds of the 13th Floor Elevators remains a potent delight."


You're gonna wake up wonderin' 
Find yourself all alone 
But what's gonna stop me, baby? 
I'm not comin' home

1966: ? and the Mysterians, "96 Tears"


"It only took one song, the organ-driven number one smash '96 Tears,' to make ? & the Mysterians into garage rock legends. Eccentric frontman Question Mark ... cultivated an aura of mystery by never appearing in public without a pair of wraparound sunglasses; he frequently claimed he had been born on Mars and lived among the dinosaurs in a past life, and that voices from the future had revealed he would be performing '96 Tears' in the year 10,000. On a more earthly level, the Mysterians' sound helped lay down an important part of the garage rock blueprint, namely the low-budget sci-fi feel of the Farfisa and Vox organs (most assumed that '96 Tears' had featured the former, but ? later remembered using the latter)."


And when the sun comes up, I'll be on top 
You'll be right down there, looking up 
And I might wave...

1966: The Troggs, "I Can't Control Myself"


"...[T]he words weren't making suggestions but spelling sexual desire out pretty clearly. In particular the line about the slacks hanging low and hips showing, sung with unsuppressed hunger, didn't leave much to the imagination. Nor did the final parts of the verse, where the melody ascended dramatically before pausing for [singer Reg] Presley to seethe the title phrase, after which the band crashed conclusively on a chilling minor chord."


1966: The Monks, "Complication"


"If anything, the Monks were far wilder than their story would suggest; they may have looked bizarre in their matching black outfits, rope ties, and tonsures, but it was their music that was truly radical, with the sharp fuzz and feedback of Gary Burger's guitar faced off against the bludgeoning clang of Dave Day's amplified banjo (taking the place of rhythm guitar), as Roger Johnston pounded out minimalist patterns on the drums, Eddie Shaw's electric bass gave forth with a monstrous throb, and Larry Clark's keyboard bounced off the surfaces of the aural melee."


People cry, 
People die for you. 
People kill, 
People will for you. 
People run, 
Ain't it fun for you.

AND A PERSONAL FAVORITE:

1966: Love, "No Matter What You Do"


Do you remember me? 
I'm the one you talk about 
Do you remember me? 
I'm the one you booted out 

 [Chorus] No matter what in the world you do Hey, 
I'll always be in love with you 
No matter what in the world you say Girl, 
I'm gonna love you anyway

     The rhythm guitarist and second singer for Love was Bryan MacLean, who wrote some of the band's best songs, including the lovely "Alone Again Or." After his association with Love
, MacLean underwent a conversion to Christianity and pursued Christian music. His half-sister, Maria McKee, formed the band Lone Justice in the 80s, and one of that band's best songs was written by Bryan: "Don't Toss Us Away," which was later a hit single for country singer Patty Loveless. Bryan died of a heart attack in 1998 at age 52. 

Roy's obituary in LA Times and Register: "we were lucky to have you while we did"

  This ran in the Sunday December 24, 2023 edition of the Los Angeles Times and the Orange County Register : July 14, 1955 - November 20, 2...