Friday, November 4, 2011

The Craig Justice file: immortal roles on the silver screen

Administrator noir
     There's just no getting around it. Throughout his career, current Irvine Valley College VPI Craig Justice has been a distinctly "noir" kinda guy....
     ...Think "Craig Justice" and, right away, you think "hard boiled" and "cynical" and "dark." Golly.
     Film Noir (literally 'black film or cinema') was coined by French film critics … who noticed the trend of how 'dark', downbeat and black the looks and themes were of many American crime and detective films released in France to theatres following the war, such as The Maltese Falcon (1941), Murder, My Sweet (1944), Double Indemnity (1944), The Woman in the Window (1944), and Laura (1944)…. Fear, mistrust, bleakness, loss of innocence, despair and paranoia are readily evident in noir…. (Tim Dirks)
Here's Craig in what is arguably his most familiar role—as the natty giggling psychopath in Kiss me, Death!  God, he was wonderful in that. The part when he shoves that old woman down the stairs still gives me chills.

And who could ever forget him as Herman "Finger" Cain's duplicitous consigliere in The Godfather? The man is plainly born to play these parts.
Here he is as Spiv Eddy in the otherwise forgettable Night Bastards 'n Shades.  
That one was a real stinker. They can't all be good, I guess.
Craig as the immortal "Weepy-Boy Santos" in They Drive at Night. (He's the one driving and weeping.)
Next week: Craig & Kumar's Novato Adventure

Roy's obituary in LA Times and Register: "we were lucky to have you while we did"

  This ran in the Sunday December 24, 2023 edition of the Los Angeles Times and the Orange County Register : July 14, 1955 - November 20, 2...